![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||||
![]() |
home | about | interviews | works | reviews | events | media |
![]() |
||
![]() |
<< previous | reviews index | next >> |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Deep drums and suburban grit
Accordion, harp electric-guitar, trombone; transparent violin harmonics, whispered instrumental tickles, sliding whistles, the eerie on-the-spot drum trick: the batterie de cuisine, and the various noises whipped up by it, for this small-scale opera was impressive. The score pattered with life and interest and intriguing sounds was often ravishing..."
|
![]() |
Hey Persephone! "...I didn’t realise quite how strong Gribbin’s instinct for pacing, balance, vocal melody, and all the other issues that feed into opera. Hey Persephone! Is her first stage commission. On the strength of it, she won’t have long to wait for number two." 12 July 1998 The Independent on Sunday Michael White |
![]() |
© 2005 Deirdre Gribbin |